Archive for the 'Directors' Category

21
Jan
09

Gladiator

Now for the first of the “quadrilogical” reviews. Yes, I just made that word up. Yes, it’s pretty clever, I know. Gladiator comes first because chronologically speaking, it’s set before the other three. 

This film is fast becoming my favorite film of all time. (If you socialize with me on other sites, you probably know that by now. Follow me on Twitter: MaximDecimus) I’ve maintained before that my favorite genre of film is Sci-Fi, but I’ve recently realized that all my favorite movies would fall under the “Action” category. So I’ve officially changed favorite genres. Gladiator is, IMO, on a level higher than most action films: the story is fantastic. Perhaps slightly cliched and a bit predictable, but as far as action films go, this one’s pretty good. The dialogue is fantastic, the actors give perhaps their greatest performances ever…it’s a great film.

Almost from the start of the movie, we see that the main character, Maximus, is a man of faith. He prays to his little gods (which, no, I’m not encouraging idolatry, but it’d probably be helpful to our nation if our generals prayed to God before a battle) and he’s true to his wife and son. He doesn’t want to give them up, even for being the most powerful man on earth. He’s also a virtuous man, having the chance to enter into other relationships but turning them down. Joaquin Phoenix as the evil emperor Commodus gives a good performance also, playing an extremely believable and creepy villain. I’d say that the only themes that are glorified in the film are positive themes, with no grey areas. The good is good and the bad is bad, and that’s the way it should be. 

All in all, a definite 10 out of 10 for Gladiator, starring Russell Crowe and directed by Ridley Scott.

29
Dec
08

Indiana Jones: The Complete Soundtrack Collection

 

indianajonessoundtracks

If you know me, you probably know that I’m obsessed with Indiana Jones. I even argue for the quality of Kingdom of the Crystal Skull (*gasp*). No, it’s not as good as the other ones, but it’s still a worthy addition to the series. Anyway, I’ll get to the topic of the post.

This Christmas I received the Indiana Jones Complete Soundtrack Collection. It’s packaged quite nicely, with a faux leather case and gold Indiana Jones accents embossed on the sides. It includes all three original movie soundtracks with never before released music. Since 1989, the first three film soundtracks have not been available. They probably wouldn’t have been either, if not for the release of KotCS. The collection also includes extra music and exclusive interviews from George Lucas, Steven Spielberg, and John Williams. 

The Temple of Doom soundtrack is my personal favorite. (What a coincidence, considering Temple of Doom is my favorite film.) Short Round’s Theme is a fantastic composition, as is the ‘trek music.’ And, of course, the End Credits. There never was a better theme song than Raider’s March. (Although Moby’s ‘Extreme Ways’ for the Bourne films is up there.)

So if you’re into Indiana Jones, this a definite must have.

12
Oct
08

Director Spotlights: Spike Lee

I decided to add a new category to the posts I shall make: Director Spotlights. In these posts I will talk about a specific director. In this one, I shall (obviously) talk about Spike Lee. for those of you who aren’t familiar with him, he’s an African-American director. Most (actually, all) of his movies have African-American themes. He used to be a very respected director. Note I said ‘used’ to be. Now, I respect every director out there (save for maybe Uwe Boll) but Lee I respect the least. Why? He’s incredibly racist. Ridiculously so. Perhaps you heard of his little spat with actor-turned director Clint Eastwood. Eastwood made two World War II films: Flags of Our Fathers and Letters From Iwo Jima. These two films were centered around the raising of the flag in Iwo Jima, especially the first one. What was Lee’s trouble with it? It didn’t give African-American soldiers their due. He claimed that it showed no African-American soldiers whatsoever. First of all, the films did show African-American soldiers. Second of all, there were no Afican-American soldiers in the group that raised the flag. Lee subsequently called Eastwood racist, and Eastwood, in Western cowboy-type attitude, fired back that Lee needs to “shut his face.” Now, most recently, Lee has made a film called Miracle at St. Anna’s, which tells the story of a massacre in Italy. The only problem is, he shows African-American soldiers in the film where, historically, there were no African-American soldiers of any kind. When the modern day citizens responded (many of whom lost loved ones in the massacre) with things like “you are rewriting our history” Lee told them they “need to come to grips with their history.” So he’s making up history! He’s probably the most racist person in Hollywood. Not to mention probably one of the most arrogant. He tried to sue Spike TV because they were “capitalizing on his fame” by using his name. He also thinks that his passion for Knicks baseball has cost him Oscars before, because the Oscar voters are usually Los Angeles based. “That’s definite bias right there,” he claims. Face it, Spike. You missed Oscars because your films aren’t good enough.